ARRI Hi-5

ARRI WCU-4

ARRI SXU-1

ARRI OCU-1

ARRI Master Grips

ARRI CForce RF Motor

Preston HU4

Preston FIZ 3

Preston Single Channel

Tilta Nucleus M

Wireless Follow Focus

ARRI ZMU-4

Digital Microforce

Analog Microforce

Zoom Focus Demand

Zoom Control

Cine RT

Preston Light Ranger 2

Cinetape

ARRI LCUBE CUB-1

Rangefinder

Teradek Bolt 1000 XT

Teradek Bolt 3000 XT

Teradek Bolt 4K XT

Teradek Bolt 4K LT

Teradek Bolt 6 XT

Teradek Bolt 6 LT

Teradek Serv 4K

Teradek Sidekick XT

Teradek Cube 755 Encoder

Teradek Serv Pro

Teradek Array Panel Antenna Gen 2 & 3

Teradek Array Panel Antenna Gen 4K

Wireless Video

Schulz Sprayoff Rain Deflector

EyeDirect Mark II

ARRI LMB 4x5.6 Clip-On Matte Box 

ARRI MMB-2 Studio

ARRI LMB 6x6 Clip-On Matte Box

Lens Accessories

SmallHD Cine 7

SmallHD 703 UltraBright On-Camera Monitor

SmallHD 503 UltraBright On-Camera Monitor

TVLogic VFM-058W

TVLogic VFM-056WP

TV Logic SRM-074W

On-board Monitors

SmallHD 703 Bolt

SmallHD 1303 HDR 13" Production Monitor

SmallHD 1703 HDR 17" Production Monitor

SmallHD 2403 HDR 24" Production Monitor

SmallHD Cine 24" 4K High Bright Pro Monitor

SmallHD 3203 HDR 32" Production Monitor

PVM-1741A

PVM-A170

PVM-A250

PVM-2541

BTLH 1710P

BTLH 1850

BTLH 2550W

Flanders CM170 HD LCD

Flanders DM170 HD LCD

Flanders DM220 OLED

Flanders BM-241 HD LCD

Field Monitors

Convergent Design Apollo

Sound Devices PIX 240

Sound Devices PIX 240i

Atomos Ninja V+

External Recorders

138mm Filters

4x4 Filters

4x5.6 Filters

6x6 Filters

Screw-On Filters

Filtration

Solidcom C1

Wireless Intercom

ARRI

Rent ARRI digital cinema cameras in NYC from Hand Held Films. Browse camera bodies, power, media, monitors, and production accessories in Manhattan.

ARRI Camera Rentals in NYC

The ARRI cforce mini RF Basic Set is a compact lens-control motor with an integrated white-coded RF radio module that eliminates the need for a separate receiver unit on your camera rig. Suited for gimbal, stabilizer, handheld, and drone setups, the cforce mini RF can be daisy-chained with both classic cforce motors and with ARRI LBUS components. Power and run/stop control are supplied for ARRI and select third-party cameras through the motor’s CAM connector.

The versatile cforce mini RF can be linked with up to two additional motors and can be paired with up to three hand units for setups where splitting F/I/Z control is preferred. Features include 14 radio channels, lens metadata support for focus mapping, improved resistance to interference, and the ability to display data on a WCU-4 hand unit.

This cforce mini RF Basic Set includes one motor, one combo clamp bracket for mounting to 15/19mm rods, a rugged outdoor antenna, and one 0.8-mod lens gear.

Rent wireless follow focus, wireless video, monitors, lens accessories, filters, recorders, and camera accessories in NYC.

Camera Accessories Rental NYC

Accessories

Teradek

Teradek Serv

Atomos

Anamorphic De-Squeeze, Blue Only, False Color, Focus Peaking, Image Flip, Pixel Zoom, RGB Parade, Scaling, Screen Markers, Vector Scope, Waveform, Zebra

4K Raw: 120/100/60/59.94/50/30/29.97/25/24/23.98

DCI 4K: 120/100/60/59.94/50/30/29.97/25/24/23.98

1080p: 120/100/60/59.94/50/30/29.97/25/24/23.98

ProRes 422, 422 HQ, LT, Raw, Raw HQ 10/12-Bit 4:2:2

DNxHD 36, 145, 220x, HQ, HQX, LB, SQ 10/12-Bit 4:2:2

H.265 420, 422, HQ, LQ, MQ 8/10-Bit 4:2:2

Browse External Recorders in our Camera & Lenses department at Hand Held Films, a New York motion picture equipment rental house.

External Recorders NYC Camera and Lens Equipment Rental

Convergent Design

Up to four HD video signals can be input and viewed simultaneously (quad-split) or live-switched (choose between inputs for full screen display). The four SDI, or three SDI and one HDMI inputs can be recorded individually with matching timecode as ProRes HQ, 422, or LT. In addition to recording the four HD inputs you can simultaneously record the quad-split view or the live switch.

When recording from multiple cameras, all the cameras must be outputting the same format and frame rate to the Apollo.

ProRes 422 HQ, 422, LT 10-Bit 4:2:2 at up to 60 fps

ProRes 4444 XQ 12-Bit 4:4:4 at up to 60 fps

Convergent Design Apollo Multi Camera Switcher/Recorder

Convergent Design USB 3.0 to SSD (SATA 2.0) Data Transfer Adapter cable

Custom Pelican Case for Convergent Design Apollo

3:2 pull down removal to record 24p from 60i signal

Up/down/cross of 480i, 525i, 720p, 1080i, 1080p resolutions

Avid DNxHD 36, 145, 220 Mbps, 8 and 10bit

Internal ambient Clockit time code generator with Genlock output, internal battery to hold time code

LTC input, output on LEMO, ambient Clockit compatible

Premium microphone preamps, on balanced XLR, mic/line selectable with 48V Phantom, limiters, high pass

-128 dBu input noise, 115 dB dynamic range A/D

2-Channel, line level balanced output on 5-pin XLR

Input: 3G-SDI (levels A and B), HD-SDI, or SDI

SMPTE 12M-1, 12M-2, 125M, 259M, 272M, 291M, 292, 296M, 299, 352M, 372, 424, 425

Input: v1.4a, 4:4:4 or 4:2:2, RGB or YCbCr, 10 or 8-bit, HDCP-enabled

Apple ProRes 36, 100, 145, 220 Mb/s, 8 and 10-bit

Avid DNxHD 36, 100, 145, 220 Mb/s, 8 and 10-bit

QuickTime wrapper (.MOV), UDF file system

480i, 576i, 720p, 1080i, 1080p to any 480i, 576i, 720p, 1080i, 1080p

24, 25, 30, 50, 60 to 24, 25, 30, 50, 60, 23.976, 29.97, 59.94 to 23.976, 29.97, 59.94, automatic 3:2 pull-down removal in 23.976 and 24 frame modes, other pull-down cadences include 2:2:2:4, 2:3:3:2, 3:2:3:2:2, and 2:2

2 balanced, mic- or line-level inputs on XLR (48 V phantom switchable)

2 balanced, line-level outputs on 5-pin XLR

Frequency Response: 10 Hz-20 kHz, +/- 0.5 dB re 1 kHz

THD + Noise: 0.004% max (1 kHz, 22 Hz-22 kHz)

Input and Output Topology: fully electronically balanced, line-level, RF, ESD, short, and overload protected; pin-2 hot, pin-3 cold

Output Attenuation: 0-20 dB, 1 dB increments

Sampling Rate / Bit Depth: 48 kHz, 24-bit

AES/EBU: 4 channels in via XLR, 110 ohm, 2 V p-p

Accepts 32k, 44.1k, 48k, 96k, 192k sample rates with SRC at input

HDMI: 2 channels embedded HDMI input, 8 channels embedded HDMI output

Accepts 32k, 44.1k, 48k, 96k, 192k sample rates

SDI: 8 channels embedded SDI input, 8 channels embedded SDI output, 48k sample rate

The following can be used as storage media:

Modes supported: Freerun, Record run, External

Frame rates: 23.976, 24, 25, 29.97DF, 29.97ND, 30DF, 30ND

Accuracy: +/- 0.2ppm, holds accurate time code for 2 hours after power is removed

Inputs / Outputs: BNC (LTC input and output), SDI or HDMI (Sony protocol), LEMO 5-pin

PANASONIC

Rent Panasonic digital cinema cameras in NYC from Hand Held Films. Browse camera bodies, power, media, monitors, and production accessories in Manhattan.

Panasonic Camera Rentals in NYC

Headphone Output: 1/8″ Stereo Mini (x1)

Browse Field Monitor in our Camera & Lenses department at Hand Held Films, a New York motion picture equipment rental house.

Field Monitor NYC Camera and Lens Equipment Rental

Field Monitor

SMPTE274/296M/259M-C/ITU-R BT.656-4 standard

HDMI x 1 (Type A terminal) , HDCP supported, Embedded Audio supported, VIERA Link not supported

Composite: BNC (x2 Input with Loop-Through Output)

Component: BNCx3 (x2 Input with Loop-Through Output)

Sync/HD: BNC (x2 Input with Loop-Through Output)

VD: BNC (x2 Input with Loop-Through Output)

SDI: BNC (x3 Input with Switched-out Connector)

Flanders Scientific

VGA (640×480), NTSC (720×480), SVGA (800×600), XGA (1024×768), SXGA (1280×1024)

1080p (30/29.97/25/24/24PsF/23.98/23.98PsF)

2048×1080 (30p/30PsF/29.97p/29.97PsF/25p/25PsF/24p/24PsF/23.98p/23.98PsF)

1080i (29.97/25/24/23.98) 4:4:4 YCbCr, RGB

1080p (30/29.97/25/24/23.98) 4:4:4 YCbCr, RGB

DVI-Analog & DVI-Digital VGA (640×480), NTSC (720×480), SVGA (800×600), XGA (1024×768), SXGA (1280×1024)
DVI Digital Only 1280×720, 1440×900, 1920×1080

SMPTE-296M 720p (60/59.94/50/30/29/25/24/23.98)

2K 2048×1080 (30p/30PsF/29.97p/29.97PsF/25p/25PsF/24p/24PsF/23.98p/23.98PsF)

SMPTE-372M 1080p (50/59.94/60) 4:2:2 YCbCr, RGB

– Level B supports 2 x SMPTE
292M image format mapping
372M image format mapping

– RGB, YCbCr, & XYZ supported 12 & 10 bit 4:2:2 1920x1080p (60/59.94/50)
4:4:4 1280x720p (60/59.94/50/30/29.97/25/24/23.98)
12 & 10 bit 4:4:4 1920x1080i (60/59.94/50)
12 & 10 bit 4:4:4 1920x1080p (30/29.97/25/24/24PsF/23.98/23.98PsF)
12 & 10 bit 2k (2048×1080)(30p/30PsF/29.97p/29.97PsF/25p/25PsF/24p/24PsF/23.98p/23.98PsF)

2 x BNC : 2nd Monitor Outputs (Can Mirror On Screen View, Apply LUT, etc.)

 BNC 2nd Monitor Outputs (Can Mirror On Screen View, Apply LUT, etc.)

SMPTE C/EBU/REC709/Rec2020 Emulation/DCI-P3/USER

(30p/30PsF/29.97p/29.97PsF/25p/25PsF/24p/24PsF/23.98p/23.98PsF)

SONY

Rent Sony digital cinema cameras in NYC from Hand Held Films. Browse camera bodies, power, media, monitors, and production accessories in Manhattan.

Sony Camera Rentals in NYC

Composite: 1 BNC, 1 Vp-p3dB sync negative

Audio: 1 stereo mini jack, -5 dBu 47 kohms or higher

Parallel remote: 1 modular connector (pin-assignable)

Serial remote (LAN): 1 RJ-45 modular connector (10BASE-T/100BASE-TX)

DC-IN connector: DC 12 V (output impedance 0.05 ohm or less)

Composite: BNC (x1), loop-through, with 75 ohms automatic termination

SDI: BNC (x1), output signal amplitude: 800 mVp-p ±10%, output impedance: 75 ohms unbalanced

AC 100 V to 240 V, 50/60 Hz, 1.0 A to 0.5 A

Monitor with optional stand: 28 lb (12.7 kg)

Composite: 1 x BNC, 1.0 Vp-p±3 dB sync negative

Composite: 1 x BNC, loop through with 75Ω auto termination

SDI: 1 x BNC, Output signal amplitude: 800 mVp-p ±10%,

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SmallHD

 YCC 4:2:2 10-bit — 1080p60/59.94/50, 1080i120/119.88/100

 YCC 4:2:2 10-bit — 1080p30/29.97/25/24/23.98, PsF, 1080i60/59.94/50, 720p

3G-SDI: 1080p60/59.94/50, 1080i120/119.88

HD-SDI: 1080p, PsF, 1080i, 720p (All at 8-bit)

Audio metering up to 8 channels (HDMI & SDI)

 Audio downstream disabled if LUT is loaded on output page

 For LUTs, Captures, Overlays, Profiles, Firmware

For LUTs, Profiles, and Power (1.5A shared)

Included AC–DC Adapter (110–240 VAC, 50/60 Hz → 15V/6A DC)

 Yes – 0–100 in 6 steps with 100-nit studio mode

720p: 60 / 59.94 / 50 / 30 / 29.97 / 25 / 24 / 23.98

Supports full 1080p/i, 720p, 576p, and 480p

Cross conversion: HDMI → SDI and SDI → HDMI

Audio 1x Headphone Jack on Front of Monitor

Accessories

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All Accessories Rentals

ARRI CFORCE RF MOTOR

TERADEK SERV

ZOOM FOCUS DEMAND

ATOMOS NINJA V+

CONVERGENT DESIGN APOLLO

SOUND DEVICES PIX 240

SOUND DEVICES PIX 240I

BTLH 1710P

BTLH 1850

BTLH 2550W

FLANDERS BM-241 HD LCD

FLANDERS CM170 HD LCD

FLANDERS DM170 HD LCD

FLANDERS DM220 OLED

PVM-1741A

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