Alexa 35

Alexa 35 Xtreme

Alexa Mini

Alexa Mini LF

Amira

ARRI

RED Monstro

RED Helium

RED Gemini

RED Komodo

RED Komodo-X

RED V-Raptor 8K S35

Sony Venice

Sony Venice 2

Sony Rialto

Sony Rialto 2

Sony FX3

Sony FX6

Sony FX9

Sony A7S MKIII

Sony

Canon EOS C70

Canon C300 MKIII

Canon C500 MKII

Canon

BlackMagic Pocket Cinema Pro 6k

BlackMagic

Panasonic Varicam LT

Panasonic

Rent ARRI digital cinema cameras in NYC from Hand Held Films. Browse camera bodies, power, media, monitors, and production accessories in Manhattan.

ARRI Camera Rentals in NYC

The Alexa 35, ARRI's flagship digital cinema camera, boasts outstanding image quality and versatility. Its Super 35mm sensor accommodates flexible recording resolutions from HD to 4K, supporting various formats including ProRes and ARRIRAW. With a wide dynamic range exceeding 14 stops and advanced color science, it ensures accurate and consistent color reproduction in diverse lighting conditions. Its modular design allows for seamless integration with accessories, enhancing its adaptability on set. Overall, the Alexa 35 stands as a pinnacle of digital cinema technology, providing filmmakers with the tools they need to capture stunning imagery with precision and reliability.

Rent ARRI, Sony, RED, Canon, Blackmagic, and Panasonic digital cinema cameras in NYC from Hand Held Films in Manhattan.

Digital Camera Rentals NYC

Digital Cameras

Super 35 format ARRI ALEV 4 CMOS sensor with Bayer pattern color filter array

Adjustable from EI 160 – 6400 in 1/3 stops

Electronic shutter, 5.0°- 356° or 1s – 1/8000s

ASC CDL parameters (slope, offset, power, saturation)

Four position built-in motorized ND filter: Clear, 0.6, 1.2, 1.8

1.00, 1.25, 1.30, 1.33, 1.50, 1.65, 1.80, 1.85, 2.00

~15lbs (Average build with short zoom lens)


ALEXA 35 Premium License
ALEXA 35 Look License
ALEXA 35 ARRIRAW License
ALEXA 35 Open Gate/Anamorphic License
ALEXA 35 Highspeed License
ALEXA 35 Pre-record License

*Available with either B-Mount of 26V Anton Bauer batteries.

Trusted Reliability. Extreme Performance.

ALEXA 35 Xtreme is ARRI’s most powerful ALEXA yet, blending the rock-solid reliability of the ALEXA 35 with cutting-edge hardware, next-gen processing, and breakthrough speed. Capture up to 330 fps at full dynamic range or push to 660 fps using Sensor Overdrive mode for ultra-slow-motion in controlled lighting environments*. With a redesigned processor, expanded memory, and improved thermal efficiency, the Xtreme runs cooler, faster, and 10% more efficiently.

Included in all models, ARRI’s new ARRICORE RGB codec maintains maximum image quality while cutting data rates, making high-end results more accessible. ARRICORE preserves full flexibility in post, with adjustable sensitivity, white balance, and tint, and integrates seamlessly with existing ALEXA 35 workflows, tools, and media. Launched in beta, it evolves with real-world user feedback.

With pre-recording extended up to five minutes, improved wireless connectivity (including 5 GHz WiFi and roaming), and full compatibility with ALEXA 35 accessories and drives, the Xtreme removes the need for a separate high-speed camera. It simplifies on-set workflows without sacrificing quality.

Cinematic Image Quality, Unmatched Flexibility

Powered by the same 4.6K Super 35 sensor, ALEXA 35 Xtreme captures 17 stops of dynamic range with filmic highlight roll-off, deep shadow detail, and exceptional low-light performance from EI 160 to 6400. Enhanced Sensitivity mode and REVEAL Color Science deliver lifelike skin tones and rich tonal depth. ARRI Textures give cinematographers creative in-camera control over contrast and grain, like choosing a digital film stock.

*330fps/660fps available on S16 sensor mode ONLY.

 ~3.0 kg / 6.6 lbs (camera body with three antennas and LPL Mount)

 -20° C to +45° C (-4° F to +113° F); up to +40° C (-4° F to +113° F) for high frame rates

 -30° C to +70° C (-22° F to +158° F)

 < 20 dB(A) at 30fps, recording 4K 16:9 Apple ProRes 4444 XQ

 Super 35 format ARRI ALEV 4 CMOS, Bayer pattern color filter

 4608 x 3164; 27.99 x 19.22 mm (Ø 33.96 mm)

 Electronic, 1.0°–356° or 1s–1/8000s

 ARRIRAW, ARRICORE, Apple ProRes 4444/4444 XQ/422 HQ

 Codex Compact Drives (1TB, 2TB, Express 1TB)

 Standard real-time recording, Pre-recording*

 Multi Viewfinder MVF-2, 4" flip-out touchscreen

 Rec 709, Rec 2020, Rec 2100 PQ/HLG, LogC4, Custom

 ARRI Look File ALF-4, custom 3D LUT import, ASC CDL parameters

 Manual/auto, 2000K–11000K in 10K steps

 Built-in motorized, 4 positions (Clear, 0.6, 1.2, 1.8)

 1x LEMO 6-pin stereo line in, 12V output; optional expansion via AEM-1 or LPS-1

Camera Control Monitor (CCM-1), ECS, Camera Companion App, Web/Ethernet/WiFi remote

 LBUS, SERIAL, TC, ETH, SYNC IN, RET IN, USB-C, Rear 18-pin

 WiFi (802.11a/ac/b/g/n/k/r/v), ARRI ECS White Radio

 20.5–33.6 V DC (LEMO 8-pin, battery adapter)

 RS 24V, 12V LEMO, LBUS 24V, AUDIO 12V, ETH 24V

: Power Distribution Module PDM-1, LPS-1 Fiber Camera Adapter

ALEXA 35 Xtreme Open Gate/Anamorphic License

The Alexa Mini is a compact yet powerful digital cinema camera designed for versatility, making it suitable for handheld, gimbal, and drone use. Despite its small size, it delivers stunning images with rich colors and impressive dynamic range. The camera supports various recording formats, including ProRes and ARRIRAW. With its wide dynamic range, the Alexa Mini captures detailed images with accurate colors and smooth tonal transitions. Integrated ND filters simplify exposure control, while the camera's modular design allows for easy customization and compatibility with different shooting setups. Its intuitive user interface ensures efficient operation on set, making it a popular choice among filmmakers for its reliability and versatility.

Super 35 format ARRI ALEV III CMOS sensor with Bayer pattern color filter array

Built-in motorized ND filters 0.6, 1.2, 2.1

Arri Alexa Mini PL Mount LDS LB Titan CPL

Arri Alexa Mini Viewfinder Attachment Bracket MVB-1

Arri Alexa Mini Bridge Plate Adapter BPA-4

Arri Alexa Mini Center Camera Handle CCH-2

Wooden Camera D-Box for Alexa Mini w/ Mini XLR to 4-pin XLR Cable

The Alexa Mini LF offers excellent image quality with rich colors and a wide dynamic range. It supports various recording resolutions including 4.5K ARRIRAW and ProRes, providing flexibility in post-production. With a wide dynamic range exceeding 14 stops, it preserves detail in highlights and shadows. Integrated neutral density filters allow for precise exposure control. The camera's modular design enables easy customization and compatibility with different shooting setups. Its intuitive user interface facilitates efficient operation on set. Overall, the Alexa Mini LF offers advanced imaging capabilities in a portable form factor, making it a versatile choice for professional filmmakers.

Large Format ARRI ALEV III (A2X) CMOS sensor with Bayer pattern color filter array

14+ stops over the entire sensitivity range from EI 160 to EI 3200

Built-in motorized ND filters 0.6, 1.2, 1.8

Fixed optical low pass, UV, and IR filter

Arri Alexa Mini LF Multi Viewfinder MVF-2

Arri Alexa Mini Compact Bridge Plate CBP-1 19mm

Arri Sliding Quick Release Plate for CBP-1 19mm

Arri 15mm LWS Adapter for Compact Bridge Plate CBP-1

Arri Gold Mount Power Splitting Box Mk II

Arri 15mm Rod Adapter for GM Power Splitting Box Mk II

The ARRI Amira, equipped with a Super 35mm sensor, captures precise imagery with over 14 stops of dynamic range and advanced color processing. It offers shooting resolutions in various formats, including HD (1920x1080) and 2K (2048x1152), supporting ProRes and ARRIRAW formats. Its ergonomic design and durable construction ensure seamless operation and reliability, making it a trusted choice for professional filmmakers seeking technical excellence.

Adjustable from EI 160-3200 in 1/3 stops EI 800 base sensitivity

Arri Amira Premium (4K UHD) PL LDS Mount Camera

Arri Amira Top Handle & EVF Mounting Bracket

Arri Amira Wedge Plate Adapter w/ Shoulder Pad (WPA-1)

Arri Amira Bridge Plate Adapter w/ Shoulder Pad (BPA-3)

BLACKMAGIC

Rent Blackmagic digital cinema cameras in NYC from Hand Held Films. Browse camera bodies, power, media, monitors, and production accessories in Manhattan.

Blackmagic Camera Rentals in NYC

The Blackmagic Pocket Cinema Camera 6K features a Super 35mm HDR sensor, with 13 stops of dynamic range, enabling it to capture stunning 6K (6144 x 3456) resolution footage at up to 50 fps in Blackmagic RAW and ProRes formats. The camera's EF lens mount provides compatibility with a wide range of lenses, enhancing creative flexibility. It includes built-in CFast 2.0 and SD/UHS-II card slots for simultaneous recording or easy data backup. The Pocket Cinema Camera 6K uses Blackmagic Design's advanced color science for accurate color reproduction and fine-tuned skin tones, crucial for professional cinematography. Its lightweight carbon fiber polycarbonate composite body is designed for handheld use and features an intuitive 5-inch touchscreen interface for easy menu navigation and monitoring.

ProRes 422/ProRes 422 HQ/ProRes 422 Proxy/ProRes 422LT

6144 x 3456 at 23.98/24.00/25/29.97/50 fps [49 to 483 Mb/s]

6144 x 2560 at 23.98/24.00/25/29.97/50/59.94 fps [37 to 359 Mb/s]

5744 x 3024 at 23.98/24.00/25/29.97/50/59.94 fps [40 to 395 Mb/s]

4096 x 2160 at 23.98/24.00/25/29.97 fps [28 to 163 Mb/s]

3728 x 3104 at 23.98/24.00/25/29.97 fps [36 to 265 Mb/s]

2868 x 1512 at 23.98/24.00/25/29.97 fps [14 to 101 Mb/s]

6144 x 3456 at 23.98/24.00/25/29.97/50 fps

6144 x 2560 at 23.98/24.00/25/29.97/50/59.94 fps

5744 x 3024 at 23.98/24.00/25/29.97/50/59.94 fps

6K (6144 x 2560) in 2.4:1 When Recording in Raw

BlackMagic Pocket Cinema 6k

The Blackmagic Pocket Cinema Camera 6K Pro features a Super 35mm HDR sensor with 13 stops of dynamic range and utilizes Blackmagic Design's advanced color science for accurate color reproduction and lifelike image rendering. The camera supports recording in 6K (6144 x 3456) resolution at up to 50 fps in Blackmagic RAW and ProRes formats. One of the standout features of the 6K Pro is its built-in motorized ND filter wheel, offering 2, 4, and 6 stops of ND for seamless exposure control without the need for external filters. This feature is particularly beneficial in varying lighting conditions and allows filmmakers to maintain creative control over depth of field and shutter speed.

The Pocket Cinema Camera 6K Pro retains the EF lens mount for compatibility with a wide range of lenses and includes dual CFast 2.0 and SD/UHS-II card slots for simultaneous recording or redundant backup. Its aluminum alloy polycarbonate composite body provides durability while remaining lightweight and portable. The addition of a large 5-inch tilting HDR touchscreen display enhances usability and monitoring options, offering clear visibility in bright sunlight and facilitating precise shot framing and focus control.

Four position ND filter with clear, 2‑stop, 4‑stop and 6‑stop IR ND filters.

Electronic Rolling Shutter, 5 to 360°’

BlackMagic Pocket Cinema Camera Pro 6k Kit (EF Mount)

Wooden Camera Universal NATO Handle Plus V2

Wooden Camera Lower Dovetail for Unified Baseplate

BlackMagic Pocket Cinema Camera 6k P-Tap Cable

Rent Canon digital cinema cameras in NYC from Hand Held Films. Browse camera bodies, power, media, monitors, and production accessories in Manhattan.

Canon Camera Rentals in NYC

Built around a Super 35mm Dual Gain Output (DGO) sensor and powered by Canon's DIGIC DV7 image processor, the C300 Mark III delivers exceptional image quality with up to 16+ stops of dynamic range. This sensor configuration supports high-resolution 4K DCI and UHD recording at frame rates up to 120 fps, offering flexibility for capturing cinematic sequences with stunning detail and lifelike colors.

The camera's Dual Pixel CMOS AF technology ensures fast and accurate autofocus performance, enhanced by Touch AF functionality for intuitive focus control directly on the camera's touchscreen LCD. The C300 Mark III supports Canon Log 2 and Canon Log 3 gamma profiles, enabling filmmakers to achieve precise color grading and cinematic looks in post-production. It includes built-in ND filters with 2, 4, 6, 8, and 10 stops for seamless exposure control, eliminating the need for external filters and enhancing workflow efficiency on set. The camera also supports Cinema RAW Light and XF-AVC recording formats, providing versatile options for high-quality video production and efficient post-production workflows.

With comprehensive connectivity options, including 12G-SDI, HDMI, and a dedicated Genlock/Sync Out port, the C300 Mark III facilitates integration with external monitors, recorders, and audio devices. It features dual CFexpress card slots for high-speed recording and backup capabilities. 

Electronic Rolling Shutter, 1/2000 to 1/12 Second

-6 to 54 dB (Native)
-2 to 54 dB (Expanded)

4096 x 2160 from 12 to 179.82 fps [250 to 1000 Mb/s]

2048 x 1080 from 12 to 179.82 fps [250 to 1000 Mb/s]

1920 x 1080 from 12 to 179.82 fps [250 to 1000 Mb/s]

DCI 4K (4096 x 2160) from 12 to 179.82 fps

UHD 4K (3840 x 2160) from 12 to 179.82 fps

DCI 2K (2048 x 1080) from 12 to 179.82 fps

Wooden Camera Anton Bauer Battery Plate for C300 MKIII/ C500 MKII

 is a full-frame cinema camera built for modern, high-end production workflows. Featuring a stacked BSI CMOS sensor, up to 6K Cinema RAW Light recording, and support for high frame rates up to 180 fps, it delivers exceptional image quality with wide dynamic range and precise color control. The RF mount, built-in ND filters, and robust professional I/O make the C400 equally at home on set, in the studio, or in live and streaming environments. Netflix approved and designed for demanding productions, the C400 balances cinematic performance with efficient, flexible operation.


Mechanical ND filter wheel with 2, 4, 6, 8, and 10-stop options

 Continuous AF, One-Shot AF, Manual Focus

XF-AVC S Intra / Long GOP (4:2:2, 10-bit)

XF-HEVC S Long GOP (4:2:2 / 4:2:0, 10-bit)

Note: Certain frame rates and formats use sensor crops.

Live view, remote control, camera settings


5.6 × 5.3 × 5.3 in (142 × 135 × 135 mm)


14.2 × 10.8 × 14.3 in (361 × 274 × 363 mm)

Canon C400 6K Full-Frame

The Canon EOS C500 Mark II features a 5.9K Full-Frame CMOS sensor powered by Canon's DIGIC DV 7 image processor, delivering stunning cinematic imagery with up to 15+ stops of dynamic range. This sensor configuration supports high-resolution 5.9K recording in Cinema RAW Light and 4K DCI/UHD recording in XF-AVC formats.

Designed for reliability and ease of use, the C500 Mark II features a modular design with a magnesium alloy body that allows for customization and adaptation to various production needs. It supports Canon's Dual Pixel CMOS AF technology, providing fast and accurate autofocus performance with Touch AF functionality on its 4.3-inch LCD monitor for intuitive focus control. The camera also includes an electronic image stabilization system for steady handheld shooting and incorporates built-in ND filters with 2, 4, 6, 8, and 10 stops for seamless exposure control.

The C500 Mark II includes 12G-SDI, HDMI, and a dedicated Genlock/Sync Out port, facilitating integration with external monitors, recorders, and audio equipment. Dual CFexpress card slots enable high-speed recording and simultaneous backup, ensuring reliable data management during intensive shoots.

Actual: 20.8 Megapixel (6062 x 3432)
Effective: 18.69 Megapixel (5952 x 3140)

Mechanical Filter Wheel with 2 Stop (1/4), 4 Stop (1/16), 6 Stop (1/64), 8 Stop (1/256), 10 Stop (1/1024) ND Filters

4096 x 2160 up to 119.88 fps [160 to 810 Mb/s]

3840 x 2160 up to 119.88 fps [160 to 810 Mb/s]

2048 x 1080 up to 119.88 fps [160 to 810 Mb/s]

1920 x 1080p up to 119.88 fps [160 to 810 Mb/s]

2048 x 1080 up to 119.88 fps [24 to 35 Mb/s]

5K (5952 x 3140) in 17:9 When Recording in Raw

4K (4096 x 2160) in 17:9 When Recording in Raw

2K (2048 x 1080) in 17:9 When Recording in Raw

The Canon C70 delivers exceptional 4K video quality with up to 16+ stops of dynamic range on a Super 35mm Dual Gain Output (DGO) sensor powered by Canon's DIGIC DV7 image processor. This sensor configuration supports high-resolution recording in XF-AVC and MP4 formats.

The C70 features a compact and lightweight form factor, making it ideal for handheld shooting and gimbal-mounted setups. The camera incorporates Canon's Dual Pixel CMOS AF technology, offering fast and accurate autofocus performance with Touch AF functionality on its 3.5-inch built-in LCD touchscreen for intuitive focus control. It also includes an electronic image stabilization system to ensure steady footage even in dynamic shooting environments.

Also featured are built-in ND filters, allowing seamless exposure control without the need for external filters. It supports high frame rates up to 120 fps in 4K and up to 180 fps in Full HD. Comprehensive connectivity options, including HDMI, 12G-SDI, and a Multi-Interface Shoe, facilitate integration with external monitors, recorders, and wireless audio systems.

DCI 4K (4096 x 2160) at 23.98/24.00/25/29.97/50/59.94 fps [24 to 600 Mb/s]

UHD 4K (3840 x 2160) at 24.00/25/29.97/50/59.94 fps [24 to 600 Mb/s]

DCI 2K (2048 x 1080) at 23.98/24.00/25/29.97/50/59.94 fps [24 to 600 Mb/s]

DCI 2K (2048 x 1080i) at 50/59.94 fps [24 to 600 Mb/s]

1920 x 1080p at 23.98/24.00/25/50/59.94 fps [24 to 600 Mb/s]

1920 x 1080i at 50/59.94 fps [24 to 600 Mb/s]

1280 x 720 at 23.98/24.00/25/29.97/50/59.94 fps [24 to 600 Mb/s]

H.264/H.265/MP4/XF-AVC/XF-AVC Proxy 4:2:2 10-Bit

UHD 4K (3840 x 2160) at 50/59.94 fps [135 to 225 Mb/s]

2840 x 1080 at 23.98/24.00/25/29.97/50/59.94 fps [50 Mb/s]

1920 x 1080 at 23.98/24.00/25/29.97/50/59.94 fps [50 Mb/s]

H.264/H.265/MP4/XF-AVC/XF-AVC Proxy 4:2:2 8-Bit

H.264/H.265/MP4/XF-AVC/XF-AVC Proxy 4:2:0 10-Bit

UHD 4K (3840 x 2160) at 23.98/24.00/25/29.97/50/59.94 fps [100 to 170 Mb/s]

DCI 2K (2048 x 1080) from 12 to 24.00 fps [35 Mb/s]

1920 x 1080 at 23.98/24.00/25/29.97/50/59.94 fps [35 Mb/s]

H.264/H.265/MP4/XF-AVC/XF-AVC Proxy 4:2:0 8-Bit

UHD 4K (3840 x 2160) at 23.98/24.00/25/29.97/50/59.94 fps [150 Mb/s]

1920 x 1080 at 23.98/24.00/25/29.97/50/59.94 fps [24 to 35 Mb/s]

DCI 4K (4096 x 2160) at 23.98/24.00/25/29.97/50/59.94 fps

UHD 4K (3840 x 2160) at 23.98/24.00/25/29.97/50/59.94 fps

DCI 2K (2048 x 1080) at 23.98/24.00/25/29.97/50 fps

1920 x 1080 at 23.98/24.00/25/29.97/50/59.94 fps

1280 x 720 at 23.98/24.00/25/29.97/50/59.94 fps

Electronic Rolling Shutter, 1/2000 to 1/12 Second


160 to 25,600 (Extended: 100 to 102,400)

Mechanical Filter Wheel with Clear, 2-Stop (1/4), 4-Stop (1/16), 6-Stop (1/64), 8-Stop (1/256), 10-Stop (1/1024) ND Filters

Wooden Camera RF to PL Adapter for RED Komodo/Komodo-X/Canon C70

Wooden Camera Mini Top Handle for Canon C70

Wooden Camera LW 15mm Baseplate for Canon C70

Wooden Camera Battery Slide Pro Gold Mount for Canon C70

*Kit with on board BP-A Batteries also available

PANASONIC

Rent Panasonic digital cinema cameras in NYC from Hand Held Films. Browse camera bodies, power, media, monitors, and production accessories in Manhattan.

Panasonic Camera Rentals in NYC

The Panasonic VariCam LT features a Super 35mm MOS sensor with dual native ISO technology, providing outstanding low-light performance and wide dynamic range with 14+ stops. The VariCam LT supports multiple recording formats, including Panasonic's V-Log/V-Gamut for capturing high-resolution 4K (4096 x 2160) and UHD (3840 x 2160) footage at up to 60 fps.

Equipped with the VariCam LT's unique dual native ISO settings of 800 and 5000, filmmakers can achieve clean and noise-free images in varying lighting conditions without compromising image quality. The camera offers internal recording in AVC-Intra and ProRes providing flexibility in post-production workflows and efficient data handling. It supports high frame rates up to 240 fps in Full HD resolution, enabling dramatic slow-motion capture for dynamic scenes.

Comprehensive connectivity options, including 3G-SDI, HDMI 2.0, and Genlock/Sync, facilitate seamless integration with external monitors, recorders, and audio equipment. The VariCam LT also supports wireless control and metadata management via Ethernet or optional Wi-Fi adapters, enhancing workflow efficiency on set.

Digital Cameras

Digital Cameras Categories

All Digital Cameras Rentals

ALEXA 35

ALEXA 35 XTREME

ALEXA MINI

ALEXA MINI LF

AMIRA

BLACKMAGIC POCKET CINEMA 6K

BLACKMAGIC POCKET CINEMA PRO 6K

CANON C300 MKIII

CANON C400 6K FULL-FRAME

CANON C500 MKII

CANON EOS C70

PANASONIC VARICAM LT

RED GEMINI

RED HELIUM

RED KOMODO

Location

Hours of Operation