ARRI SR3 High Speed

ARRI SR3 Advanced

ARRI 416 Plus

Aaton XTR Prod

16mm

Arricam LT

Arriflex 235

ARRI 435 ES

Moviecam Compact MKII

Moviecam SL MKII

Aaton Penelope

35mm

ARRI

Rent ARRI digital cinema cameras in NYC from Hand Held Films. Browse camera bodies, power, media, monitors, and production accessories in Manhattan.

ARRI Camera Rentals in NYC

The ARRI 416 is a Super 16 film camera that blends the tactile beauty of analog cinematography with the ergonomic and operational familiarity of modern 35mm systems. The 416 features a PL mount, variable frame rates from 1 to 75 fps, and a quiet, crystal-controlled movement optimized for sync sound. It accepts both standard and Super 16 lenses and magazines, and features adjustable shutter angles (up to 180°), precise through-the-lens metering, and ARRI’s signature build quality. The camera supports both internal and external battery configurations and is compatible with a broad range of 35mm accessories, making it a seamless choice for film productions looking to leverage smaller formats without sacrificing quality or control.

The camera comes with both an SD (standard-definition) video tap and an HD (high-definition) video tap, The SD tap provides a composite or BNC output ideal for basic monitoring or traditional onboard systems, commonly used for director’s view or simple video assist. The HD tap, however, offers a cleaner, higher-resolution signal—typically via HD-SDI—providing more accurate image feedback for focus pulling, exposure assessment, and on-set monitoring workflows. This dual configuration allows flexibility depending on the scale of production and monitoring requirements, bridging the analog and digital worlds in a practical and cinematic workflow.

Browse 16mm Film Cameras in our Camera & Lenses department at Hand Held Films, a New York motion picture equipment rental house.

16mm Film Cameras NYC Camera and Lens Equipment Rental

16mm Film Cameras

2K capable (for scan/digitization in post-production)

Video Tap Output (Digital Assist Options)

(Dependent on scanner and post workflow; not recorded in-camera)

 nominal (via onboard or external battery systems)

The ARRI SR3 Advanced is a Super 16mm film camera designed for precision, versatility, and reliability in both handheld and studio environments. It features a native Super 16 gate (12.35 x 7.42 mm image area) and a PL lens mount, making it fully compatible with modern 16mm and adapted 35mm glass. The camera offers crystal-synced variable frame rates from 5 to 75 fps and a manually adjustable reflex mirror shutter ranging from 180° to 45°, allowing for creative motion control and exposure flexibility.

Modified with an HD video tap with HD-SDI output for modern monitoring applications, as well as a Gold Mount battery plate for on-board power solutions. The SR3 Advanced supports 400' coaxial magazines and features through-the-lens light metering with manual and automatic exposure modes. Widely regarded for its stability, image sharpness, and compact build, the SR3 Advanced remains a popular choice for narrative, commercial, and music video work requiring the distinct texture of Super 16 film.

The Arriflex SR3 Advanced is one of the most modern Super 16 cameras made. Extremely quiet and lightweight, it’s ideal for run-and-gun scenarios and shoots up to 75fps. We have modified our SR3 resulting in a clean build that is extremely user-friendly for both operators and assistants. The camera package has a brand new Hyper II HD video tap to monitor sharp, crystal clear images as well as record HD video dailies with an optional on-board monitor recorder. It also features a Ratworks side plate and top handle and a Gold Mount battery plate.

Shutter: Reflex mirror shutter, adjustable from 180° to 45°

Integrated Through-the-Lens Light Metering (manual and auto modes)

Interchangeable ground glass with etched frame lines

Variable crystal-synced frame rates: 5 – 75 fps

Speed adjustments in 0.001 fps increments (via external controller if enabled)

Gold Mount battery plate (for use with standard on-board batteries)

Compatible with external power distribution setups

Optical reflex viewfinder for direct through-the-lens viewing

Quick-change mechanism for efficient reloads

Native Super 16 gate (no modification required)

Scanning/Delivery Resolution: HD / 2K (dependent on film scan)

Bit Depth (in post): 10-bit log / 16-bit log / 16-bit linear


(Determined by scanner and post-production workflow; not recorded in-camera)

The ARRI SR3 High Speed is a Super 16mm film camera engineered for high frame rate cinematography. Equipped with a native Super 16 gate (12.35 x 7.42 mm) and a PL mount, it supports a wide range of modern lenses. The camera features a manually adjustable reflex mirror shutter from 180° to 45°, enabling creative control over motion blur and exposure.

Configured with a Gold Mount battery plate for flexible on-board power options and an HD video tap with HD-SDI output for high-quality monitoring and video assist. The SR3 High Speed supports crystal-synced variable frame rates from 5 to 150 fps, maintaining precise timing essential for sync sound and slow-motion capture. Compatible with 400' coaxial magazines, the camera is well-suited for narrative, commercial, and music video productions that require the distinct aesthetic and dynamic capabilities of Super 16 film.

Variable crystal-synced frame rates: 5 – 150 fps

AATON

The Aaton XTR Prod is a versatile Super 16mm film camera featuring a reflex mirror shutter adjustable between 180° and 144°, and a native Super 16 gate providing a 12.35 x 7.42 mm image area. The camera offers both preset frame rates from 6 to 75 fps and crystal-synced variable speeds between 3 and 75 fps with fine 0.001 fps adjustments, ensuring precise timing for sync sound and creative motion effects.

Equipped with an integrated VSA Video Assist for live monitoring, a Gold Mount battery plate for flexible power options, and a heated eye cup for comfortable optical viewing in varied environments, the XTR Prod balances practical features with reliability. It accepts 400' coaxial magazines with a quick-load magnetic drive system, making film handling efficient. The camera captures image data on 16mm negative or reversal film and supports common ground glass aspect ratios including 1.33:1, 1.66:1, 1.78:1, and 1.85:1. Typical post-production workflows involve HD or 2K scanning with bit depths ranging from 10-bit log to 16-bit linear, depending on the scanning process.

Film Format: Super 16mm (12.35 x 7.42 mm image area)

Shutter: Reflex mirror shutter, adjustable from 180° to 144°

Ground Glass: Interchangeable, with multiple aspect ratio options (1.33:1, 1.66:1, 1.78:1, 1.85:1)

Preset Frame Rates: 6, 12, 18, 20, 23.98, 24, 25, 29.97, 30, 36, 40, 48, 60, and 75 fps

Variable Crystal-Synced Frame Rates: 3 to 75 fps, adjustable in 0.001 fps increments

Power Mount: Gold Mount battery plate installed

 (non-HD) for live video monitoring and playback

Heated Eye Cup for comfortable optical viewfinder use in cold or humid environments

Optical reflex viewfinder with through-the-lens viewing

Compatible Magazines: 400' coaxial magazines

Loading: Quick-load system with magnetic drive

Native Super 16 gate, no modification needed

Typical Scanning Resolution: HD / 2K (depending on film scan)

Post-Scan Bit Depth: 10-bit log / 16-bit log / 16-bit linear

The ARRI 435 ES is a precision-engineered 35mm MOS camera designed for high-speed and effects-driven cinematography. It supports forward and reverse motion filming from 1 to 150 frames per second, with crystal-synced frame rate control and advanced in-camera ramping for both speed and shutter angle. The electronically controlled reflex mirror shutter is adjustable from 11.2° to 180°, offering fine exposure control and smooth motion transitions.

This model features a standard PL mount, interchangeable ground glass for multiple aspect ratios, and compatibility with 400' coaxial magazines, including Steadicam options. It is equipped with a standard IVS (Integrated Video System) for SD video assist and uses a Gold Mount battery belt to supply regulated 24V DC input.

Browse 35mm Film Cameras in our Camera & Lenses department at Hand Held Films, a New York motion picture equipment rental house.

35mm Film Cameras NYC Camera and Lens Equipment Rental

35mm Film Cameras

 Reflex mirror shutter, electronically adjustable from 11.2° to 180°

 Interchangeable; available in various aspect ratios including 1.33:1, 1.78:1, 1.85:1, and 2.40:1

 1 – 150 fps (forward and reverse motion)

 Crystal-controlled with 0.001 fps accuracy

 In-camera speed and exposure ramping capabilities

 Approx. 70W at 24V (varies with speed and accessories)

 Reflex optical viewing system with heated eyepiece options available

 Compatible with ARRI extension viewfinders

 Yes – synchronized shutter angle and speed changes

 Compatible with external wireless lens control systems

 Full support for matteboxes, follow focus units, and motorized lens systems

 10-bit log, 16-bit log, or 16-bit linear (determined by scanner)

Weight: 8kg/16lbs with loaded 400′ mag and 1 battery.

3–40 frame/s, Synch & Variable speeds (0.001 increments)

Instant film-magazines, nine-minute autonomy at 24 frame/s in 35mm 2-Perf.

Built to withstand extreme climates. (−10 °C to +40 °C)

Extremely bright optical viewfinder with generous peripheral coverage

Twin battery power supply: one for lightweight handheld shots; add the other for multi-accessory use.

Aaton Penelope 2-Perf Ground Glass: 2.35, 1.85, & 1.78

Aaton Penelope Battery Pack Charge w/ IEC Cable

The ARRICAM LT is a 35mm sync-sound camera system engineered for lightweight studio and handheld production. It supports both 4-perf and 3-perf formats with a native Super 35 image area and features a reflex mirror shutter adjustable from 11.2° to 180°. This model supports either an ARRICAM Lite Integrated Color CCD / IVS system or an HD video tap, providing flexible real-time monitoring in both SD and HD workflows. A Speed Control / TV Sync Box allows precise frame rate adjustments and external video synchronization.

The camera includes a heated eyepiece, Medium Extension Viewfinder, and ST Anamorphic Extension Viewfinder, supporting comfortable and accurate viewing across various setups, including anamorphic capture. It accepts 400’ steadicam, 400’ shoulder, and 1000’ studio magazines, and is fitted with a Gold Mount plate for on-board power solutions. Known for its quiet movement, versatile magazine support, and integration with lens data and monitoring systems, the ARRICAM LT remains a high-performance choice for professional 35mm cinematography.

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 24.9 x 18.7 mm (3-perf), 24.9 x 18.6 mm (4-perf)

 ARRI PL Mount with LDS (Lens Data System) support

 Electronically adjustable reflex mirror shutter from 11.2° to 180°

 Interchangeable with standard and custom frame line options

 1 – 60 fps (forward) / 1 – 32 fps (reverse)

 Crystal-synced speeds with 0.001 fps increments

 External Speed Control / TV Sync Box for precise adjustments and video sync

 Real-time color video assist with adjustable overlays

 Auxiliary HD-SDI tap for high-definition monitoring

 Prevents fogging in cold or humid environments

 Adds ergonomic flexibility for handheld and shoulder operation

 Designed for correct de-squeezed viewing of anamorphic images

 Pin-registered movement with silent coaxial feed and take-up

 Gold Mount battery plate for industry-standard on-board power solutions

 35mm negative or reversal (color or B&W)

 Configurable for 4-perf and 3-perf operation without tools

 Up to 6K (dependent on scanning hardware)

 10-bit log, 16-bit log, or 16-bit linear depending on scanner and workflow

The Arriflex 235 is a lightweight, compact 35mm MOS camera designed for handheld, Steadicam, and specialty rig use. Weighing approximately 7.7 lbs (3.5 kg), it’s built for mobility while maintaining full compatibility with standard PL mount lenses and 400' coaxial magazines. The camera features a manually adjustable reflex mirror shutter ranging from 11.2° to 180°, and supports crystal-synced frame rates from 1 to 75 fps for high-speed or undercranked motion.

Equipped with an interchangeable ground glass system and standard IVS video assist, the 235 supports SD monitoring and accommodates a variety of viewing accessories. Power is provided via 24V DC, typically through a battery belt or external source.

 Reflex mirror shutter, adjustable from 11.2° to 180° (manual adjustment)

 Interchangeable, compatible with multiple aspect ratios

 Crystal-synced; adjustable in 0.001 fps increments

 Typically powered via external battery belt or onboard battery solutions

 Optical reflex viewfinder with optional heated eyepiece

400' coaxial magazines (same as ARRI 435)

 Rear or top-mounted options for handheld, crane, or Steadicam use

 No sync sound recording (ideal for silent or action shots)

 Compatible with industry-standard follow focus, matteboxes, lens motors, and power accessories

 10-bit log, 16-bit log, or 16-bit linear

Moviecam

Compensating link movement with dual registration pins and dual pulldown claws, 3 or 4-perf pulldown, interchangeable aperture plates; pitch adjustment.

1–50 frames per second (forward) and 12–32 frames per second (reverse – Moviespeed box needed).

Electronic reflex mirror; Can adjusted between 45° and 180° while in standby; manual model stops at 45°, 90°, 120°, 144°, 172°, 180°

500′ (150m) and 1000′ (300m) displacement style; all have built-in heaters and torque motors; mechanical and electronic footage counters.

400′ (120m) lightweight Steadicam magazines with vertical displacement.

Active displacement mags; takes up emulsion in (9P design).

Compensating link movement with dual registration pins and dual pulldown claws, 4-perf or 3-perf pulldown, interchangeable aperture plates; pitch adjustment.

2–50 frames per second (forward) and 12–32 frames per second (reverse – only for Compact magazines and with Moviespeed control box).

electronic reflex mirror; Can adjusted between 22.5° and 180° while in standby; calibrated with stops at 45°, 90°, 120°, 144°, 172°, 180°.

400′ (120m) displacement style; built-in heaters and torque motors; electronic footage counters.

Also accepts Compact 400′ (120m) and 1000′ (300m) magazines by using a magazine adaptor.

active displacement mags; takes up emulsion in (9P design).

Rent 16mm and 35mm film cameras in NYC from Hand Held Films for features, commercials, music videos, and branded productions.

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ARRI 416 PLUS

ARRI SR3 ADVANCED

ARRI SR3 HIGH SPEED

AATON XTR PROD

ARRI 435 ES

AATON PENELOPE

ARRICAM LT

ARRIFLEX 235

MOVIECAM COMPACT MKII

MOVIECAM SL MKII

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